How to Channel Your Book

Course Materials

Lesson 1 : Passive Channelling

The first step to channelling your book is to make a strong connection to your Creative Muse. This course is agnostic and your Muse may be archangels, angels, ascended masters, guides or fairies at the bottom of the garden (and I mean this seriously as I have worked with people who connect with them). You may choose to see your source as the Universal Mind or Collective Consciousness – or even your Future Self. These lessons might just be stimulators of the imagination. The output is perhaps of more significance than its source.


My aim is that by the end of this course, you will have a strong and permanent connection with your Creative Muse AND the large part of your book (or writing project) completed.

The lessons consist of an explanatory video and a meditative visualisation (or two) and some simple tasking.

Like all these types of transformational courses, the enlightenments you receive will be incremental and only at the end will you be able to look back at your journey and notice the difference. You may also find your health, vitality and your luck improve as the course progresses and you tune into your Life Purpose.

At any point during the course, if you have any queries or even blinding flashes of enlightenment, then I would like to know.

Just Get in Touch and I will normally get back within 24 hours.

What you will need for this course

  • About 20-30 minutes per day of Me Time
  • Coloured pens and pencils
  • Some sheets of A3 or tabloid paper and it’s a good idea to keep a journal and writing pad (the muse can come in any time)
  • A desire to share your message and wisdom with the world
  • An Open Mind

QuillTask 1 : Setting Intent

When we channel a book, or anything, we ‘channel’ much more than the words. We also conjure up events and opportunities to help us share our work with others. This course is one example.

So in order to let the Universe know of your intent, make some handwritten notes of the following (this is important i.e. not on a computer or tablet) :

  • When would you like your book published?
  • What would be the best result ever for you from publishing the book? – think big !!
  • What would be the best result ever for your reader from reading the book?
  • Who would be the best person to write your foreword?
  • Write down the names of a few readers, as follows:
    • Some friends
    • Some clients
    • Some people you admire but that you don’t know

When you’ve completed this task, listen to this next visualisation to help you tune into these eventualities.

Task 2 : Connecting with Your Muse Visualisation

Each day for the coming week, make a quiet time for yourself and listen to the visualisation below. Have a pad of paper and a pen or pencil ready so you can write what comes in when you finish listening.

Optionally on the fourth, fifth or sixth day onwards, you can run the script of this visualisation in your head and practice getting into the channelling state under your own steam.

Task 3 : Becoming Fear-less

When we start to channel, it can be overwhelming at first as we embrace the enormity of being able to tap into the Universal Mind. The associated fears sometimes can get stored around various chakra points. This short visualisation will help clear your chakra points and set you up nicely for the flow of inspiration that you will stir up over the coming weeks.

Come back to this visualisation at any point during the course if you feel any uncertainty. Clearing our fears away is like peeling away layers of an onion.

Task 4 : Sending Harmony to Soften Tense Situations

Sometimes when we embark on a creative task, an external event can surface that we need to pay attention to. This is the way of things. This visualisation from the Heart-full Living course can be used to soften the hearts of those who might otherwise be throwing a ‘spanner in the works’.

Case Study : One Hundred Years of Ermintrude

Here’s an example of what we can produce when we open to channel – note that there are 33 stanzas and each are 33 seconds long on this audio version – I will explain why in the next lesson.